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She would have liked to sit upon a rock and listen to words, not of any man, but detached, mysterious, poetic words that she alone would interpret through some sense inherited from sleep.
Patrick White
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Because he had nothing to hide, he did perhaps appear to have forfeited a little of his strength. But that is the irony of honesty.
Patrick White
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The spirit may triumph where politics (the League and the United Nations), socio-political faiths such as Marxism, Italian Fascism and German National-Socialism — all have failed. I see our only hope in faith, charity, and in humbling ourselves before man and God.
Patrick White
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If truth is not acceptable, it becomes the imagination of others.
Patrick White
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I've lost interest in the theatre because you can't get what you want ever. I used to think it would be wonderful to see what you had written come to life. Here in Australia it's very hard to get an adequate performance because of the state of the theatre; but even if you have the best actors in the world it's never what you visualised. One can't say all one wants to say, one can't convey it.
Patrick White
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If she had only been able to touch him, they might perhaps have pooled their secrets and discovered the reason for human confusion. But as that wasn't possible, she went outside, into the garden.
Patrick White
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His legend will be written down, eventually, by those who are troubled by it.
Patrick White
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The ideal of non-attachment has been preached again and again in the course of the last 3000 years. It is found in Hinduism, the teachings of Buddha, the doctrine of Lao Tsu, in the philosophy of the Greek Stoics. The Gospel of Jesus is essentially one of non-attachment to the things of this world, and of attachment to God. What the Jewish philosopher Spinoza calls "blessedness" is simply the state of non-attachment, just as Spinoza's "human bondage" is the condition of one who identifies himself with his own desires, emotions, and thought processes, or with their objects in the external world.
Patrick White
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I have the same idea with all my books: an attempt to come close to the core of reality, the structure of reality, as opposed to the merely superficial. The realistic novel is remote from art. A novel should heighten life, should give one an illuminating experience; it shouldn't set out what you know already. I just muddle away at it. One gets flashes here and there, which help. I am not a philosopher or an intellectual. Practically anything I have done of any worth I feel I have done through my intuition, not my mind - which the intellectuals disapprove of. And that is why I am anathema to certain kinds of Australian intellectual.
Patrick White
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In recent years we have been served up a lot of claptrap about the need for a national identity. We have been urged to sing imbecile jingles, flex our muscles like the sportsmen from telly commercials, and display a heart optimism totally unconvincing because so superficial an unnatural. Those who preach this doctrine are usually the kind of chauvinist who is preparing his country, not to avert war, but to engage in it.
Patrick White
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Superficially my war was a comfortable exercise in futility carried out in a grand Scottish hotel amongst the bridge players and swillers of easy-come-by whisky. My chest got me out of active service and into guilt, as I wrote two, or is it three of the novels for which I am now acclaimed.
Patrick White
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Inspiration descends only in flashes, to clothe circumstances; it is not stored up in a barrel, like salt herrings, to be doled out.
Patrick White
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I expect we are all jealous of the women in their past, but how much less exciting if the women had not kept the bed warm.
Patrick White
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In the last couple of years I've been doing this sort of thing constantly, often repeating myself, becoming an avoidable Doomsday bore. But anything of importance — like a garden, a human relationship, a child, a religious faith, even the most convinced brand of atheism has to be worked on constantly if it is to survive.
Patrick White
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Religion. Yes, that's behind all my books. What I am interested in is the relationship between the blundering human being and God. I belong to no church, but I have a religious faith; it's an attempt to express that, among other things, that I try to do. Whether he confesses to being religious or not, everyone has a religious faith of a kind. I myself am a blundering human being with a belief in God who made us and we got out of hand, a kind of Frankenstein monster. Everyone can make mistakes, including God. I believe God does intervene; I think there is a Divine Power, a Creator, who has an influence on human beings if they are willing to be open to him.
Patrick White
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In all directions stretched the great Australian Emptiness, in which the mind is the least of possessions.
Patrick White
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I can only stick my neck out and offer my humble beliefs. If I become an outsider by doing so, this won't be a great hardship as I've been that as far back as I can remember — something strange and unacceptable in the eyes of those who believe they see straight. At least it's given me courage of a kind, which I'd like every Australian to acquire.
Patrick White
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I have derived immense comfort, hope, faith, inspiration from a great American, the Cistercian monk-teacher-activist Thomas Merton. Initially a contemplative religious, Merton's spiritual drive was aimed at halting the dehumanization of man in contemporary society, a sickness he saw as leading to mass violence and ultimately nuclear war. War of any kind is abhorrent. Remember that since the end of World War II, over 40 million people have been killed by conventional weapons. So, if we should succeed in averting nuclear war, we must not let ourselves be sold the alternative of conventional weapons for killing our fellow men. We must cure ourselves of the habit of war.
Patrick White
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I am interested in detail. I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.
Patrick White
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There's many benefits from a good read, just as some must sing a lungful of psalm, or take the bottle down from the shelf.
Patrick White
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To kiss and to kill are similar words to eyes that focus with difficulty.
Patrick White
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Conversation is imperative if gaps are to be filled, and old age, it is the last gap but one.
Patrick White
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In my books I have lifted bits from various religions in trying to come to a better understanding; I've made use of religious themes and symbols. Now, as the world becomes more pagan, one has to lead people in the same direction in a different way.
Patrick White
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Many of those who hear me believe I am putting on an act, while others who had considered I am one who surely knows the answers, are depressed to find that, by my own admission, I don't. What I do know for certain is that what is regarded as success in a rational materialistic society only impresses superficial minds. It amounts to nothing and will not help us rout the destructive forces threatening us today. What may be our salvation is the discovery of the identity hidden deep in any one of us, and which may be found in even the most desperate individual, if he cares to search the spiritual womb which contains the embryo of what can be one's personal contribution to truth and life.
Patrick White
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The essence of what you have to say you pick up before you're twenty.
Patrick White
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Quote of the day
Time and trouble will tame an advanced young woman, but an advanced old woman is uncontrollable by any earthly force.
Dorothy L. Sayers
Patrick White
Creative Commons
Born:
May 28, 1912
Died:
September 30, 1990
(aged 78)
Bio:
Patrick Victor Martindale White was an Australian writer who is widely regarded as one of the most important English-language novelists of the 20th century.
Known for:
The Tree of Man (1955)
Riders in the Chariot (1961)
The Vivisector (1970)
The Eye of the Storm (1973)
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