Ossip Zadkine - Sculpture Quotes

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The spectator of a sculpture, modern or ancient, is not called to examine his own or the sculptor's knowledge of anatomy but to participations, so to say, a participation where the motions which have strangulated the carver, while working, must operate the same mysterious attraction and inexpressible miracle of forms and lines, its dramaticism, its graphic tragedy, or its smiling gaiety and happiness: its words carved out of forms and sown with lines into phrases of philosophy, religion.

Ossip Zadkine
We lived in a large wooden house, with one room succeeding another [Zadkine, recalling in this quote his childhood's days in Smolensk, Russia]. The house was at the end of a blind alley. On one side were a beautiful garden and an orchard. In the summer there was an atmosphere of fragrance and peace. A large room with three windows looked out into the courtyard. Bookshelves along the walls with books and more books; a black table and six ugly Viennese chairs, also black, and in the center of the bare, inhospitable table, a sort of vase in coloured plaster representing a hand holding a goblet. It was the only piece of sculpture in the house!

Ossip Zadkine
It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions.

Ossip Zadkine
The composition, harmonies and proportions of those 'intended shapes' is the great and most difficult problem which the modern sculptor attacks, for sculpture is only forms, only spaces embraced by lines which demonstrate them. The secrets of a never dying piece of sculpture is to be had only by undergoing experience.

Ossip Zadkine
Fortunately, a sculptor's style and aim are, to a great extent, dictated to him by his materials. To make a sculpture seem at all moving or inspiring, an artist must, of course, be gifted with a certain personality that speaks movingly through the subject and materials of his work. But he must select appropriate materials, and use them appropriately, too... My materials often dictate my change of aims, and I choose to work in a different material much as a man may suddenly feel an appetite for a change in diet.

Ossip Zadkine
I alternate my aims; at one time, I concentrate on poetry, on a more expressionist kind of sculpture; at other times on form – I mean on a kind of sculpture that concerns itself with formal relations rather than emotions or ideas. I suppose that this principle of alternating my aims leads to a kind of oscillation in the evolution of my own particular style as a sculptor, but I feel that it prevents me from repeating myself.

Ossip Zadkine