To the people of New York, Paris, or London, "death" is a word that is never pronounced because it burns the lips. The Mexican, however, frequents it, jokes about it, caresses it, sleeps with it, celebrates it; it is one of his favorite toys and most steadfast love. Of course, in his attitude perhaps there is as much fear as there is in one of the others; at least he does not hide it; he confronts it face to face with patience, disdain, or irony.
The Labyrinth of Solitude (1950)