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When I joined City Lights in 1971 and started working with Lawrence, it was clear that it had been very much a center of protest, for people with revolutionary ideas and people who wanted to change society. And when I first began working at the little editorial office up on Filbert and Grant, people that Lawrence had known through the whole decade of the '60s were dropping in all the time, like Paul Krassner, Tim Leary, people who were working with underground presses and trying to provide an alternative to mainstream media. This was a period of persecution, and FBI infiltration of those presses.
Nancy Peters
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I'm looking for the binding energy of a look
a crop of reflections to be reaped
in a winter of thorn
when icebergs of illusion will melt
to be served at high tea
and the spaces between the poles pinned down
Nancy Peters
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We have one called Commodity Aesthetics, which is our section on popular culture.
Nancy Peters
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During the '70s, when the Cold War was still on, we invited Voznesensky and Yevtushenko to come here. We had very large readings for them. It was a way of kind of culturally thawing the Cold War.
Nancy Peters
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We're still in a state of shock … We have our "Dump Bush and Cheney" sign in the window, which Lawrence [Ferlinghetti] painted himself. We're looking forward to impeachment or perhaps, indictments for war crimes.
Nancy Peters
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Lawrence is usually the first poet kids read in schools that they really like. It's a real turn-on for them.
Nancy Peters
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Then (in 1981) we did a book by Geoffrey Rips called "Unamerican Activities," which was a documentation of the subversion of the underground press. That was when the Freedom of Information Act made those files available. We were shocked, we couldn't believe that our government had been bombing people, infiltrating their organizations. In fact, I think one of the files listed Lawrence as a "beatnik rabble-rouser."
Nancy Peters
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The old San Francisco is under attack to the point where it's disappearing
Nancy Peters
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The tempest unleashes an alphabet
letters fall through the apertures of crazy angles
to spell out the future
uprooting the course of invention
and enslaving the masters
Nancy Peters
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Ginsberg used to stay in the publishing house. Our editorial office had two rooms and a kitchen; it was a tiny place. And one of the rooms was kind of a guest room so that visiting authors could stay there. Allen would come sometimes for a week at a time or more. And he hung out in the store, also. The store had become quite a center for writers by that time. Ginsberg was working on "The Fall of America," which was his long chronicle of the Vietnam War, which is full of the anguish and passion and anger that so many people felt. The war had been going on for such a long time by then. That book won the National Book Award [in 1974].
Nancy Peters
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The stars are dreaming
but they are laughing
I see myself in the smile of a polar bear
while turning the pages of an arctic sky
reading the delirious lines that
foretell the sovereignty of language
and the rule of invisible birds
Nancy Peters
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He found in the narcotic night world a kind of modern counterpart to the gothic castle — a zone of peril to be symbolically or existentially crossed.
Nancy Peters
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The most important of the beat poets. He was a really true poet with an original voice, probably the most lyrical of those poets.
Nancy Peters
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Alfred Nobel stipulated that no distinction of race or colour will determine who received of his generosity.
Abdus Salam
Nancy Peters
Creative Commons
Born:
October 3, 1936
(age 88)
Bio:
Nancy Joyce Peters is an American publisher, writer, and co-owner with Lawrence Ferlinghetti of City Lights Books and Publishers in San Francisco.
Nancy Peters on Wikipedia
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