The essential of a real picture is that the things which occur in it occur to him in his peculiarly personal fashion.... the idea of modernity is but a new attachment of things universal – a fresh relationship to the courses of the sun and to the living swing of the earth – a new fire of affection for the living essence present everywhere.

statement for catalogue of 1914 exhibition at 291, reprinted in On art, p. 62; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 49