The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists with a faded orange moon. The nocturne transformed itself into dreamy rooms with Chopin's music creating a mood that softened the hard core of self.


In: 'Reminiscence and Reverie', Mark Tobey, Magazine of Art, 44, October 1951, pp. 228, 231


The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists...

The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists...

The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists...

The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists...