He [Duchamp himself, writing in the third person] CHOSE IT. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object.


In: 'The Bride and the Bachelors', Tomkins, p. 41; as quoted in 'The New York school – the painters & sculptors of the fifties' Irving Sandler, Harper & Row, Publishers, 1978, p. 171


He [Duchamp himself, writing in the third person] CHOSE IT. He took an ordinary article of life, placed it so that its useful significance...

He [Duchamp himself, writing in the third person] CHOSE IT. He took an ordinary article of life, placed it so that its useful significance...

He [Duchamp himself, writing in the third person] CHOSE IT. He took an ordinary article of life, placed it so that its useful significance...

He [Duchamp himself, writing in the third person] CHOSE IT. He took an ordinary article of life, placed it so that its useful significance...