To be looked at [from the other side of his art-work 'The Glass'] with one eye, close to, for almost an hour.


an inscription in French title, translated – instruction of his artwork, 1918; as quoted from 'Looking at Dada' ed. Sarah Blyth / Edward Powers, MoMa museum, New York 2006, p. 13


To be looked at [from the other side of his art-work 'The Glass'] with one eye, close to, for almost an hour.

To be looked at [from the other side of his art-work 'The Glass'] with one eye, close to, for almost an hour.

To be looked at [from the other side of his art-work 'The Glass'] with one eye, close to, for almost an hour.

To be looked at [from the other side of his art-work 'The Glass'] with one eye, close to, for almost an hour.