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Madeleine Stowe Quotes
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The moment with Hawkeye is all about mutual attraction, expressed without filter from him, and a surrendering of social guardedness from Cora. She accepts his directness as her own.
Madeleine Stowe
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I am really astonished at the number of violent acts.
I'm not saying that the movies created these situations, because there are a whole bunch of things.
But a lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become de-sensitized to violence when you see it on the screen so often.
Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets.
Madeleine Stowe
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There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version. It was exactly what was released two months later with the exception of a couple of reaction shots which we went back in to get. I liked the movie very much and asked him what the studio's problem was. I felt that he was at a point where they might have worn him down (if that's at all possible).
Madeleine Stowe
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They have a tendency to get beaten up or thrown off a cliff, I know. Why does that happen with me?
Madeleine Stowe
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In the 90's action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece. When Michael began speaking about the character's inner life, it was clear that his own inner life was strong, as well. I then saw Cora in a completely different light because of Michael's orientation. It became easy to personalize her.
Madeleine Stowe
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Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.
Madeleine Stowe
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You are so funny to ask me about "The Look". I've been asked many times, and I really am not sure what anyone means.
Madeleine Stowe
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After you have a kid you're just so happy to be alive!
Madeleine Stowe
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There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened. And Daniel was a wonderful and trustworthy partner. And a fine prankster as well.
Madeleine Stowe
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Oh, it was just a movie that should have never been made. I'm horrible in it. I look at myself in it and think, "Oh, you stiff. Go die!" I can't even look at it. The only thing I can say about it was that it brought me to Texas.
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We began talking about the characters and he opened up about his vision. He's extremely thoughtful and sees grand issues both social and political in an interesting way. Quite honestly, I wasn't certain how some of his ideas were applicable to the screenplay, but he was heartfelt and adamant about them. And I remember completely going with it.
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While I didn't know it at the time, Daniel had suggested to Michael that I play Cora before we had ever met. And prior to our meeting, I was at a restaurant with John Bailey, the director, when I felt this man looking over in our direction and smiling a good deal. I realized, after leaving, that it was Daniel. He later told me that he was having lunch with Michael and had coincidentally asked him earlier that very day about me. It's just a funny thing, isn't it? And I was terribly flattered when he told me this tale. He was also very clear that the decision to cast me as Cora was all Michael's.
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I'd just love to see a great love story, and nobody makes them anymore. You have great actresses like Cate Blanchett — she's fabulous in Pushing Tin and Elizabeth — and you don't use them.
Madeleine Stowe
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When I said, "I feel like everything I tried to do is there", it is less because of what I did than it is a case of Michael keeping his word. Sometimes he'd launch into a discourse, a convoluted discourse about something or other, and I had no idea what he was saying. I'd tease him about it, "What on earth are you talking about?"
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The location was very difficult to get to. I recall rock-climbing a good deal of the way in that long skirt, and I felt terrible for the crew members who had to haul the heavy equipment. For some reason, they couldn't get there by helicopter.
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Because of the tension and difficulty, I remember trying to do the silliest things when we weren't rolling cameras, anything to lift the spirits. But once on set, it was important to have full concentration. And I genuinely liked all of the cast members very much.
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The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong. The next day at work, I went straight to Daniel and told him so, saying something to the effect that "It was my fault". We told Michael my opinion (and this was unusual), he thought it over, watched dailies (which we were not allowed to see) and came back and said "You're right".
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I love the life of an actor because you spend brief amounts of time with other people and then you just leave. I need to be alone a lot, and I need the outdoors.
Madeleine Stowe
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Madeleine Stowe
Creative Commons
Born:
August 18, 1958
(age 66)
Bio:
Madeleine Marie Stowe is an American actress. She appeared mostly on television before her breakthrough role in the 1987 crime-comedy film Stakeout.
Known for:
12 Monkeys (1995)
Revenge (2011 – 2015)
The Last of the Mohicans (1992)
We Were Soldiers (2002)
Bad Girls (1994)
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