The part always has a tendency to reunite with its whole in order to escape from its imperfection.
The Notebooks of Leonardo da Vinci (Richter, 1888) - XIX Philosophical Maxims. Morals. Polemics and Speculations.
The part always has a tendency to reunite with its whole in order to escape from its imperfection.
The Notebooks of Leonardo da Vinci (Richter, 1888) - XIX Philosophical Maxims. Morals. Polemics and Speculations.
