That's right, and then I worked with him [Hand Hofmann] a little more than that. When I had time I could come in and use his studio, in a sense, that is to say, if it was a still-life class, I could be doing any kind of abstraction at that point, using that as a take-off point.... here again, when you spoke earlier about Cubism, I say I really didn't get the first impact, the full impact of it [Cubism], until I worked with Hofmann.

From: 'Oral history interview with Lee Krasner, 1964 Nov. 2 - 1968 Apr. 11