In French the truth of passion stood up coldly and cruelly to the scrutiny of human experience. In his own curious phrase he [Pursewarden] had always qualified it as 'an unsniggerable language'.
The Alexandria Quartet (1957–1960) - Mountolive (1958)
In French the truth of passion stood up coldly and cruelly to the scrutiny of human experience. In his own curious phrase he [Pursewarden] had always qualified it as 'an unsniggerable language'.
The Alexandria Quartet (1957–1960) - Mountolive (1958)