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Art, whose honesty must work through artifice, cannot avoid cheating truth.
Laura Riding
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I met God. 'What,' he said, 'you already?' 'What,' I said, 'you still?'
Laura Riding
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If you take two words like 'tame' and 'domesticated', you're forced to think of the divergence in meaning, not the similarity. You say to yourself, in getting it clear, "A dog is a tame wolf, a cat is a domesticated tiger." A cat never really tames, while tameness is the essence of a dog's soul. You tame the wolf into a dog, but the tiger domesticates itself into a cat. In this way there's more real oppositeness between things that are like than between things that are different. The kind of oppositeness, I mean, that there is between words when you discard one in favour of another.
Laura Riding
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A religion addresses the longing in us to have that said from which we can go on to speak of next and next things rightly, in their immediate time — the telling of what came first and before done forever.
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The object of group truth is group-confirmation and perpetuation; while individual truth has no object other than discovering itself and involves neither proofs nor priests. In order, however, to win any acceptance it must translate itself into group truth, it must accommodate itself to the fact-curriculum of the group. But not only is such truth forced to submit to group terminology and order, but the group conscience demands that the individual mind serve it by working with the purposes of the group. The group, indeed, tries to preclude all idiosyncratic thought-activity and to use what intelligence it can control against it.
Laura Riding
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The child begins with crude sex alone. It innocently indulges itself in sensual pleasures. It loves kissing and to be kissed, stroking and to be stroked, fondly contemplating its excretions. The civilized society into which it is born magnifies the importance of these insignificant local sensations, gives them intellectual depth. It creates a handsome receptacle, love, to contain the humours of this unnaturally enlarged instinct.
Laura Riding
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Yet what representative trio do not make a mad trio? Blake, Mrs. Aphra Behn, Zeno - not a typical but a representative threesome... Things do not go in simple pairs. Poetry is not a case of Shakespeare and Marlowe, Shelley and Keats, Wordsworth and Coleridge, Bridges and Masefield, Emily Dickinson and T. S. Eliot. Poetry is some awkward trio - like Caedmon, Oliver Goldsmith, Enda St. Vincent Millay. So with the novel.
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The object of all religious activity is to mingle the human and the non-human, and the lower gods represent that which is cast back to the human from the non-human – human gods merely, practice-gods who embody the errors which man makes in first conceiving the non-human.
Laura Riding
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In religion is much tiredness of people, a giving over of their doing to Someone Else.
Laura Riding
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O vocables of love,
The end of an end is an echo,
A last cry follows a last cry.
Finality of finality Is perfection's touch of folly.
Laura Riding
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Much of the magical effect that poetry gives of rendering everything it touches pellucid comes from the necessity of compression that it imposes. The impossibility of pausing in poetry as long as may be needed to make sense clear causes many a set of words actually deficient in linguistic workmanship to pass for an eloquent brevity.
Laura Riding
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All literature is written by the old to teach the young how to express themselves so that they in turn may write literature to teach the old how to express themselves. All literature is written by mentally precocious adolescents and by mentally precocious senescents.
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The problem of good and evil is not the problem of good and evil, but only the problem of evil. In opposition to good there are evil characters, but there are no good characters in opposition to evil. Evil is arguable, but good is not. Therefore the Devil always wins the argument.
Laura Riding
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Quote of the day
Wars and elections are both too big and too small to matter in the long run. The daily work—that goes on, it adds up.
Barbara Kingsolver
Laura Riding
Born:
January 16, 1901
Died:
September 2, 1991
(aged 90)
Bio:
Laura Jackson was an American poet, critic, novelist, essayist and short story writer.
Known for:
Progress of stories (1935)
A survey of modernist poetry (1927)
Anarchism is not enough (1928)
Selected poems: in five sets (1970)
Four unposted letters to Catherine
Most used words:
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