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Kazimir Malevich -
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The representation of an object, in itself (the objectivity as the aim of the representation), is something that has nothing to do with art, although the use of representation in a work of art does not rule out the possibility of its being of a high artistic order. For the Suprematist, therefore, the proper means is the one that provides the fullest expression of pure feeling and ignores the habitually accepted object. The object in itself is meaningless to him; and the ideas of the conscious mind are worthless. Feeling is the decisive factor.... and thus art arrives at non-objective representation – at Suprematism.
Kazimir Malevich
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By Suprematism, I mean the supremacy of pure feeling in the pictorial arts. From the Suprematist point of view, the appearances of natural objects are in themselves meaningless; the essential thing is feeling – in itself and completely independent of the context in which it has been evoked. Academic naturalism, the naturalism of the impressionists, of Cézannism, [Malevich valued Cezanne's art as a temporarily necessary but still 'provincial art' in the long developing line of modern art], of Cubism, etc., are all so to speak nothing but dialectic methods, which in themselves in no way determine the true value of the work of art.
Kazimir Malevich
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Matiushin's sound [composer of the Futurist opera: 'Victory over the Sun', Malevich did the stage design] shattered the object-word. The curtain was torn, by the same token tearing the scream of consciousness of the old brain.
Kazimir Malevich
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We have rejected reason because we have found another reason that could be called trans-rational, which has its own law, construction and sense... This reason has found a way-Cubism-of expressing the object.
Kazimir Malevich
Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Kazimir Malevich
Creative Commons
Born:
February 23, 1878
Died:
May 15, 1935
(aged 57)
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