My brush-strokes start in nothing and they end in nothing, and in-between you find the image.
'The eye of the beholder', Carlo McCormick in - from 'Karel Appel – the complete sculptures,' (1990)
My brush-strokes start in nothing and they end in nothing, and in-between you find the image.
'The eye of the beholder', Carlo McCormick in - from 'Karel Appel – the complete sculptures,' (1990)