The writer, like everyone else, is equipped in infancy with a thick padding of things he believes to be true, but which aren't.


Writing for story: craft secrets of dramatic nonfiction by a two-time Pulitzer Prize winner (ed. Signet, 1987)


The writer, like everyone else, is equipped in infancy with a thick padding of things he believes to be true, but which aren't.

The writer, like everyone else, is equipped in infancy with a thick padding of things he believes to be true, but which aren't.

The writer, like everyone else, is equipped in infancy with a thick padding of things he believes to be true, but which aren't.

The writer, like everyone else, is equipped in infancy with a thick padding of things he believes to be true, but which aren't.