You see the rivers running east. Then you see mountains rise. Rivers run off them to the west. Mountains come up like waves. They crest, break, and spread themselves westward. When they are spent, there is an interval of time, and then again you see the rivers running eastward. You look over the shoulder of the painter and you see all that in the landscape. You see it if first you have seen it in the rock. The composition is almost infinitely less than the sum of its parts, the flickers and glimpses of a thousand million years.

In Suspect Terrain (1983), reprinted in Annals of the Former World (2000) page 209.