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When I am in my painting, I am not aware of what I'm doing. It is only after a short of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
Jackson Pollock
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I don't care for 'Abstract expressionism'.... and it is certainly not 'non-objective', and not 'non-representational' either. I'm very representational some of the time, and a little all of the time. But when you're painting out of your consciousness, figures are bound to emerge. We're all of us influenced by Freud, I guess. I've been a Jungian for a long time... Painting is a state of being... Painting is self-discovery. Every good artist paints what he is.
Jackson Pollock
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Modern art to me is nothing more than the expression of contemporary aims of the age we're living in... All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
Jackson Pollock
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The thing that interests me is that today painters do not have to go to a subject-matter outside themselves. Modern painters work in a different way. They work from within.
Jackson Pollock
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The idea of an isolated American painting, so popular in this country during the thirties, seems absurd to me, just as the idea of a purely American mathematics or physics would seem absurd... And in another sense, the problem doesn't exist at all; or, if it did, would solve itself: An American is an American and his painting would naturally be qualified by the fact, whether he wills or not. But the basic problems of contemporary painting are independent of any one country.
Jackson Pollock
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I accept the fact that the important painting of the last hundred years was done in France. American painters have generally missed the point of modern painting from beginning to end...Thus the fact that good European moderns [European artists who lived in the U.S. because of the Nazi-regime] are now here is very important, for they bring with them an understanding of the problems of modern painting. I am particularly impressed with their concept of the source of art being the unconscious. These idea interests me more than these specific artists do, for the two artists I admire most, Picasso and Joan Miró, are still abroad.
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When I say artist I don't mean in the narrow sense of the word – but the man who is building things – creating molding the earth – whether it be the plains of the west – or the iron ore of Penn. It's all a big game of construction – some with a brush – some with a shovel – some choose a pen.
Jackson Pollock
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The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting... I don't mean there aren't any other good painters. Bill [Willem the Kooning] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,... all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to.... Style – that's the French part of it. He has to cover it up with style..
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The method of painting is the natural growth out of a need. I want to express my feelings rather than illustrate them. Technique is just a means of arriving at a statement... I can control the flow of paint: there is no accident, just as there is no beginning and no end.
Jackson Pollock
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New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
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As to what I would like to be. It is difficult to say. An Artist of some kind. If nothing else I shall always study the Arts. People have always frightened and bored me, consequently I have been within my own shell and have not accomplished anything materially.
Jackson Pollock
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Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn't touch the surface on the canvas, it's just above....[so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
Jackson Pollock
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Well, method is, it seems to me, a natural growth out of a need, and from a need the modern artist has found new ways of expressing the world about him. I happen to find ways that are different from the usual techniques, which seems a little strange at the moment, but I don't think there's anything very different about it. I paint on the floor and this isn't unusual – the Orientals did that.
Jackson Pollock
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My painting does not come from the easel. I hardly ever stretch my canvas before painting. I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. This is akin to the method of the Indian sand painters of the West.
Jackson Pollock
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It seems to me that the modern painter cannot express his age, the airplane the atom bomb, the radio, in the old forms of Renaissance or of any past culture. Each age finds its own technique...
Jackson Pollock
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I have a definite feeling for the West, the vast horizontality of the land, for instance... I have always been very impressed with the plastic qualities of American Indian art. The Indians have the true painter's approach in their capacity to get hold of appropriate images, and in their understanding of what constitutes painterly subject-matter. Their colour is essentially Western, their vision has the basic universality of all real art. Some people find references to American Indian art and calligraphy in parts of my pictures. That wasn't intentional; probably [it] was the result of early memories and enthusiasm.
Jackson Pollock
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I've had a period of drawing on canvas in black – with some of my early images coming thru -, think the non-objectivists will find them disturbing – and the kids who think it simple to splash a 'Pollock' out.
Jackson Pollock
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I don't work from drawings and colour sketches into a final painting. Painting, I think, today – the more immediate, the more direct – the greater the possibilities of making a direct – of making a statement.
Jackson Pollock
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My concern is with the rhythms of nature... I work inside out, like nature.
Jackson Pollock
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With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use – I don't use the accident – 'cause I deny the accident.... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.
Jackson Pollock
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Technic is the result of a need new needs demand new technics total control denial of the accident States of order organic intensity energy and motion made visible memories arrested in space, human needs and motives acceptance
Jackson Pollock
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Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here – is – away from the easel – into some sort, some kind of wall, wall painting...
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The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world – in other words – expressing the energy, the motion and the other inner forces.... the modern artist is working with space and time, and expressing his feelings rather than illustrating.
Jackson Pollock
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Naturally, the result is the thing [in painting] and it doesnvery vibrantt make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.
Jackson Pollock
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I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.
Jackson Pollock
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Jackson Pollock
Born:
January 28, 1912
Died:
August 11, 1956
(aged 44)
Bio:
Paul Jackson Pollock, known professionally as Jackson Pollock, was an influential American painter and a major figure in the abstract expressionist movement. He was well known for his unique style of drip painting.
Known for:
Autumn Rhythm (Number 30) (1950)
Blue Poles (1952)
Shimmering Substance (1946)
Number 1 (Lavender Mist) (1950)
No. 5, 1948 (1948)
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