Italian Painter Quotes

Titian
Paolo Veronese
Gino Severini
Carlo Carrà
Carlo Levi
Luigi Russolo

Boccioni and I were swiftly persuaded that with this show in Paris we were staking our all; for a flop would have meant kissing our fine aspirations goodbye. This is why we decided to go to Paris, to see what the art situation there was like.

Carlo Carrà
Carlo Carrà
The greatest travelers have not gone beyond the limits of their own world; they have trodden the paths of their own souls, of good and evil, of morality and redemption.

Carlo Levi
Carlo Levi
I paint my pictures with all the considerations which are natural to my intelligence, and according as my intelligence understands them.

Paolo Veronese
Paolo Veronese
In our young days, when Modigliani and I first came to Paris, in 1906, nobody was very clear about ideas. But unconsciously, we knew quite a lot of things, of which we became aware later on.

Gino Severini
Gino Severini
It is not bright colors but good drawing that makes figures beautiful.

Titian
Titian
When he mixes a salad, the Devil, I've heard.
Three ingredients uses; first advocates' tongues.
Next notaries' fingers; I'll not name the third.

As it grows ever more complicated today, musical art seeks out combinations more dissonant, stranger, and harsher for the ear. Thus, it comes ever closer to the noise-sound.

Luigi Russolo
Luigi Russolo
I am essentially a painter of the kind of still life composition that communicates a sense of tranquillity and privacy, moods which I have always valued above all else.

The most perfect steersman that you can have, and the best helm, lies in the triumphal gateway of copying from nature. And this outdoes all other models; and always rely on this with a stout heart, especially as you begin to gain some judgment in draftsmanship.

I have made a solemn vow never to send my drawings because people have cheated me. In particular, just today I found... that, having done a drawing of souls in Purgatory for the Bishop of St. Gata, he, in order to spend less, commissioned another painter to do the painting using my work. If I were a man, I can't imagine it would have turned out this way.