The most important thing was the notion of information presentation and the notion of the integration of the audience into the information. One sees oneself exiting form the elevator. If one stands there for 8 seconds, one sees oneself entering the gallery from the elevator again. Now at the same time one is apt to be seeing oneself standing there watching Wipe Cycle. You can watch yourself live watching yourself 8 seconds ago, watching yourself 16 seconds ago, eventually feeling free enough to interact with this matrix realizing one's own potential as an actor.
Ira Schneider (1969),, Arts Magazine, Vol. 44, p. 21; As cited in: David Antin. Radical Coherency: Selected Essays on Art and Literature, 1966 to 2005. 2012, p. 81-82: On the Wipe Cycle