My interest in working sites is linked to an investigation of what is behind the extravagant forms and perfect lines of Hadid's Architecture; it is an interest in the relation between the elegance of her gesture and her radical way of making a building. Something very primordial and out of time is present in those situations. I think of this as a process of forming.

In:Hélène Binet's 'Forming | Portrait – Architecture of Zaha Hadid' @ Gabrielle Ammann // Gallery, sandsof.com, 24 November 2012