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The sense of historical continuity, and a feeling for philosophical rectitude cannot, however, be compromised.
Herbert Read
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The modern poet has no essential alliance with regular schemes of any sorts. He reserves the right to adapt his rhythm to his mood, to modulate his metre as he progresses. Far from seeking freedom and irresponsibility (implied by the unfortunate term free verse) he seeks a stricter discipline of exact concord of thought and feeling.
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The words in a poem, (or more exactly, syllables) are vocal signs that convey an intangible essence (the pattern of feeling) that vanishes the moment we approach it with an analytical intelligence.
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These are the sensations and feelings that are gradually blunted by education, staled by custom, rejected in favor of social conformity.
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The rhythm of a poem ceases the moment the feeling loses its intensity.
The feeling (of intensity) held in a crystal cage, asn an image, sealed and immortalized for our contemplation. Beauty in a wild foray, the form we have created, now, remote from the emotion we experience.
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Sentir mon Cœur is a privilege only granted to the exceptional man — the one who has the ability to find words that exactly (or, to himself, convincingly) express his feelings. … The value of words help to define the feeling itself. … The common failure is to allow habitual words and phrases, flowing spontaneously from the memory, to determine and deform the feelings.
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Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.
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Intellect begins with the observation of nature, proceeds to memorize and classify the facts thus observed, and by logical deduction builds up that edifice of knowledge properly called science But admittedly we also know by feeling, and we can combine the two faculties, and present knowledge in the guise of art.
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Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
Herbert Read
Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Herbert Read
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Born:
December 4, 1893
Died:
June 12, 1968
(aged 74)
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