The new always carries with it the sense of violation, of sacrilege. What is dead is sacred; what is new, that is, different, is evil, dangerous, or subversive.
With Edgar Varèse in the Gobi Desert, The Air-Conditioned Nightmare (1945)
The new always carries with it the sense of violation, of sacrilege. What is dead is sacred; what is new, that is, different, is evil, dangerous, or subversive.
With Edgar Varèse in the Gobi Desert, The Air-Conditioned Nightmare (1945)