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I never was an opera fan – about twenty-five musically supreme masterpieces in this curious medium apart.
Hans Keller
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Well, there it is. I think you can pass your verdict as well as I can. My verdict is that it is a little bit of a regression to childhood, but after all, why not?
Hans Keller
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... there is no point to musical analysis at all unless it is 'two-dimensional' – unless [...] one examines the music in terms of what I call its 'Background' (and this 'Background' is the sum total of the expectations which the composer creates) and its 'Foreground' (and its 'Foreground' is what he does instead). That is to say, the composer creates certain expectations, well-defined expectations, which he proceeds to meaningfully contradict. There is therefore a strong relation between 'Background' and 'Foreground', between that which happens and that which lies at its back – or to put it the other way round, between that which the composer leads you to expect, and that which he does instead...
Hans Keller
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Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Hans Keller
Born:
March 11, 1919
Died:
November 6, 1985
(aged 66)
Bio:
Hans Keller was an Austrian-born British musician and writer who made significant contributions to musicology and music criticism, as well as being an insightful commentator on such disparate fields as psychoanalysis and football.
Hans Keller on Wikipedia
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