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When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.
Hans Hofmann
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The significance of a work of art is determined then by the quality of its growth. This involves intangible forces inherent in the process of development. Although these forces are surreal (that is, their nature is something beyond physical reality), they, nevertheless, depend on a physical carrier. The physical carrier (commonly painting or sculpture) is the medium of expression of the Surreal. Thus, an idea is communicable only when the surreal is converted into material terms. The artist's technical problem is how to transform the material with which he works back into the sphere of the spirit.
Hans Hofmann
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The knowledge of reality, achieved by means of the complete sensory equipment, must be expressed artistically in terms of a medium which appeals to the memory of all sensory experience — but only through the eye.
Hans Hofmann
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Each expression-medium has a life of its own. Regulated by certain laws, it can be mastered only by intuition during the act of creating. It is in the nature of the laws which govern every expression medium that two separate entities, related through empathy, always produce a higher third of a purely spiritual nature. This spiritual third manifests itself as a quality which carries emotional content. This quality is the opposite of illusion; it is the reality of the spirit.
Hans Hofmann
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The difference between the arts arises because of the difference in the nature of the mediums of expression and the emphasis induced by the nature of each medium. Each means of expression has its own order of being, its own units.
Hans Hofmann
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One must realize that, apart from considerations of color and form, there are two fundamentally different ways of regarding a medium of expression: one is based on taste only — an approach in which the external physical elements of expression are merely pleasingly arranged. This way results in decoration with no spiritual reaction. Arrangement is not art. The second way is based on the artist's power of empathy, to feel the intrinsic qualities of the medium of expression. Through these qualities the medium comes to life.... In this life, an intuitive artist discovers the emotive and vital substance which makes a work of art.
Hans Hofmann
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The creative process lies not in imitating, but in paralleling nature — translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive, and every work of art should be alive.
Hans Hofmann
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The impulse of nature, fused through the personality of the artist by laws arising from the particular nature of the medium, produces the rhythm and the personal expression of a work. Then the life of the composition becomes a spiritual unity.
Hans Hofmann
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Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world. Of those three components only one, the medium, is material.
Hans Hofmann
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An idea can only be materialized with the help of a medium of expression, the inherent qualities of which must be surely sensed and understood in order to become the carrier of an idea.
Hans Hofmann
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The aim of art, so far as one can speak of an aim at all, has always been the same; the blending of experience gained in life with the natural qualities of the art medium.
Hans Hofmann
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Artistic intuition is the basis for confidence of the spirit. Art is a reflection of the spirit, a result of introspection, which finds expression in the nature of the art medium.
Hans Hofmann
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Every work of art is the product of the artist's power for conscious feeling, and of his sensitivity to life-in-nature and life within the limits of his medium.
Hans Hofmann
Quote of the day
Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Hans Hofmann
Born:
March 21, 1880
Died:
February 17, 1966
(aged 85)
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