We live in a changing world: man is whispering through space, soaring to the stars in ships, flinging miles of steel and glass into the air. Shall the theater continue to huddle in the confines of a painted box set? The movies, in their kaleidoscopic speed and juxtaposition of external objects and internal emotions are seeking to find visible and audible expression for the tempo and psychology of our time. The stage too must experiment— with ideas, with psychological relationships of men and women, with speech and rhythm forms, with dance and movement, with color and light—or it must and should become a museum product.

At a meeting, 9 October 1935