Some have considered such photographs as evidence that Eakins, if not homosexual or bisexual, was at least homoerotic. But the artist would undoubtedly have done the same thing with his women students if such a thing had been possible.
Gordon Hendricks: "The Life And Work Of Thomas Eakins", Grossman Publishers : New York 1974, ISBN 0-670-42795-0, p. 160