So I started to paint like crazy, from figurative to abstract. Then after a year, I put it all on a bonfire in the courtyard of the academy. I suppose there was some ritual involved, but I didn't tell anyone before I did it, so it wasn't public, and I felt the work had to be burned because people were already taking things and paintings were starting to circulate. I had to prevent that because I realized it was time to start from scratch. Photographs were the way forward. I'm shocked now that the story seems clear, because it didn't seem clear at the time.

'Gerhard Richter: An Artist Beyond Isms' (2002)