Shocking, absolutely shocking – they [the German Fluxus artists] pissed in the tub, snag the German national anthem, covered the audience with paper, poured laundry detergent into the piano, attached microphones to fountain pens.... it was all very cynical and destructive; it was a signal for us and we became [also] cynical and cocky.

p. 47 - 'Doubt and belief in painting' (2003)