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Georgia O'Keeffe -
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School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself... I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.
Georgia O'Keeffe
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I often painted fragments of things because it seemed to make my statement as well as or better than the whole could.
Georgia O'Keeffe
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After I had been in Canada painting the wide white barns along the Saint Lawrence river, I thought how different the life of the Canadian farmer was from life in Cebolla. So I painted [in 1945] the Cebolla church which is so typical of that difficult life. I have always thought it one of my very good paintings, though its message is not as pleasant as many of the others.
Georgia O'Keeffe
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I got a new Ford and learned to drive it – I even painted – and I laughed a great deal – I went every place that I had time for – and I am ready to go back East as long as I have to go sometime – If it were not for the Stieglitz [her husband then] call I would probably never go – but that is strong – so I am on the way... I hope a little of it stays with me till I see you – It is my old way of life – you wouldn't like it – it would seem impossible to you as it does to Stieglitz, probably – but it is mine – and I like it – I would just go dead if I couldn't have it..
Georgia O'Keeffe
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There are people who have made me see shapes — and others I thought of a great deal, even people I have loved, who make me see nothing. I have painted portraits that to me are almost photographic. I remember hesitating to show the paintings, they looked so real to me. But they have passed into the world as abstractions - no one seeing what they are.
Georgia O'Keeffe
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I find that I have painted my life, things happening in my life — without knowing. After painting the Shell and shingle [c, 1926] many times, I did a misty landscape of the mountain across the lake, and the mountain became the shape of the shingle — the mountain I saw out my window, the shingle on the table in my room. I did not notice that they were alike for a long time after they were painted.
Georgia O'Keeffe
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On the way I stood a moment looking out across the marshes with tall cattails, a patch of water, more marsh, then the woods with a few birch trees shining white at the edge on beyond. In the darkness it all looked just like I felt. Wet and swampy and gloomy, very gloomy. In the morning I painted it. My memory of it is that it was probably my best painting that summer..
Georgia O'Keeffe
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I painted 'the Shelton with Sunspots' [New York], in 1926. I went out one morning to look at it before I started to work and there was the optical illusion of a bite out of one side of the tower made by the sun, with sunspots against the building and against the sky. I made that painting beginning at the upper left and went off at the lower right without going back.
Georgia O'Keeffe
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The large 'White Flower' [she painted in 1929] with the golden heart is something I have to say about White – quite different from what White has been meaning to me. Whether the flower or the color is the focus I do not know. I do know that the flower is painted large to convey to you my experience of the flower – and what is my experience of the flower if it is not color.
Georgia O'Keeffe
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God told me if I painted that mountain enough, I could have it.
Georgia O'Keeffe
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I locked myself up in my room and held a private exhibition of everything I had painted. I notice which paintings had been influenced by this painter, which by that one. The I determined which of the finished pieces represented me alone. From that moment forward I knew exactly what kind of work I wanted to do.
Georgia O'Keeffe
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I... found myself saying to myself — I can't live where I want to — I can't go where I want to — I can't do what I want to — I can't even say what I want to.... I decided I was a very stupid fool not to at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself.
Georgia O'Keeffe
Quote of the day
Wars and elections are both too big and too small to matter in the long run. The daily work—that goes on, it adds up.
Barbara Kingsolver
Georgia O'Keeffe
Creative Commons
Born:
November 15, 1887
Died:
March 6, 1986
(aged 98)
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