The artist discards all theories, both his own and those of others. He forgets everything when he is in front of his canvas.


Stella Vespertina. (1947)


The artist discards all theories, both his own and those of others. He forgets everything when he is in front of his canvas.

The artist discards all theories, both his own and those of others. He forgets everything when he is in front of his canvas.

The artist discards all theories, both his own and those of others. He forgets everything when he is in front of his canvas.

The artist discards all theories, both his own and those of others. He forgets everything when he is in front of his canvas.