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Georges Braque -
Picasso
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Color came into its own with papiers collés.... with these works we [Braque, and a little later Picasso started to make 'collage art'] succeeded in dissociating color from form, in putting it on a footing independent of form, for that was the crux of the matter. Color acts simultaneously with form, but has nothing to do with form.
Georges Braque
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I would say that it was 'poetry' which distinguishes the cubist paintings which Picasso and I arrived at intuitively from the lifeless sort of painting which those who followed us tried, with such unfortunate results, to arrive at theoretically.
Georges Braque
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I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same. I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow. I realized that one cannot reveal oneself without mannerism, without some evident trace of one's personality. But all the same one should not go too far in that direction..
Georges Braque
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When we were so friendly with Picasso, there was a time when we had difficulty in recognizing our own pictures. Later, when the revelation went deeper, differences appeared. Revelation is the one thing that cannot be taken from you. But before the revelation took place, there was still a marked intention of carrying painting in a direction that could re-establish the bond between Picasso and ourselves.
Georges Braque
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Colour could give rise to sensations which would interfere with our [Braque & Picasso's, in the start of Cubism] conception of space.
Georges Braque
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We [Picasso and Braque], were living in Montmartre, we saw each other every day.... We were like two mountaineers roped together.
Georges Braque
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If we had never met Picasso, would Cubism have been what it is? I think not. The meeting with Picasso was a circumstance in our lives.
Georges Braque
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The whole Renaissance tradition is antipathic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cézanne and after him Picasso and myself can take a lot of credit for this.... scientific perspective forces the objects in a picture to disappear away form the beholder instead of bringing them within his reach as painting should.
Georges Braque
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At that time I was very friendly with Picasso. Our temperaments were very different, but we had the same idea. Later on it became clear, Picasso is Spanish and I am French; as everyone knows that mean a lot of differences, but during those days the differences did not count... We were living in Montmartre, we used to meet every day, we used to talk... In those years Picasso and I said things to each other that nobody will ever say again, that nobody could say any more... It was rather like a pair of climbers roped together.
Georges Braque
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Picasso and I said things to each other during those particular years [c. 1908 -1913] that nobody would any longer know how to say, that nobody would be able to understand any.... things that would be incomprehensible, and which gave us so much pleasure.
Georges Braque
Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Georges Braque
Creative Commons
Born:
May 13, 1882
Died:
August 31, 1963
(aged 81)
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