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Georges Braque -
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You see, I have made a great discovery. I no longer believe in anything. Objects don't exist for me except in so far as a rapport exists between them or between them and myself. When one attains this harmony, one reaches a sort of intellectual non-existence — what I can only describe as a sense of peace, which makes everything possible and right. Life then becomes a perpetual revelation. That is true poetry.
Georges Braque
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Tactile space separates us from objects, as opposed to visual space, which separates objects from one another. I have spent my life trying to paint the former kind.
Georges Braque
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I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space [the letters].
Georges Braque
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What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.
Georges Braque
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The subject is not the object; it is a new unity, a lyricism which grows completely from the means.
Georges Braque
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... when objects shattered into fragments appeared in my painting about 1909; this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.
Georges Braque
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The whole Renaissance tradition is antipathic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cézanne and after him Picasso and myself can take a lot of credit for this.... scientific perspective forces the objects in a picture to disappear away form the beholder instead of bringing them within his reach as painting should.
Georges Braque
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I will try to explain what I mean by metamorphosis. For me no object can be tied down to any sort of reality. A stone may be part of a wall, a piece of sculpture, a lethal weapon, a pebble on a beach or anything else you like.... when you ask me whether a particular in one of my paintings depicts a woman's head, a fish, a vase, a bird, or all four at once, I can't give you a categorical answer, for this 'metamorphosic' confusion is fundamental to the poetry.
Georges Braque
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Georges Braque
Creative Commons
Born:
May 13, 1882
Died:
August 31, 1963
(aged 81)
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