I started above all by producing still-lives because in nature there is a tactile space, I would say almost manual.
p. 16 - In: 'Braque, la peinture et nous' - 'Cahiers d'art', 1954
I started above all by producing still-lives because in nature there is a tactile space, I would say almost manual.
p. 16 - In: 'Braque, la peinture et nous' - 'Cahiers d'art', 1954