The rhythms of American popular music are more or less brittle; they should be made to snap, and at times to crackle. The more sharply the music is played, the more effective it sounds.
George Gershwin's Songbook (1932), introduction
The rhythms of American popular music are more or less brittle; they should be made to snap, and at times to crackle. The more sharply the music is played, the more effective it sounds.
George Gershwin's Songbook (1932), introduction