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Gabrielle Roy -
Poverty
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Every moment of every day and night he was able to take the measure of his failure now. Even his family's poverty which for years he had refused to admit, began to grow familiar to him, but like the memory of a companion that one has left behind. Rose-Anna...She'd been a young girl at his side, then tired, then overwhelmed, and here she was sleeping beside him on a kind of pallet, on the floor. He could hear the whimpers from the children in their sleep.
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Poverty is like a pain, dormant and unbearable as long as you don't move about too much. You grow used to it, you end up by paying no attention to it. But once you presume to bring it out in the daylight, it becomes terrifying, you see it at last in all its squalor and you shrink from exposing it to the sun.
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"That money," she cried, almost vehemently, "you can be sure I won't lay a hand on it unless there's terrible need." He looked away. He couldn't bear to hear her talking about the rents and poverty. Would the two of them ever talk about anything else? Was that what he'd come home for? To hear more complaints? Outside people were hurrying past, almost racing toward the busy streets of town. Others were on their way to the movies. Girls were going out to meet their boyfriends. There was youth in the streets, and all of that was waiting for him.
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He realized that Florentine personified this kind of wretched life against which his whole being was in revolt. And in the same moment he understood the feeling that drew him toward her: she was his own poverty, his solitude, his sad childhood, his lonely youth. She was all that he had hated, all that he had left behind him, but also everything that remained intimately linked to him, the most profound part of his nature and the powerful spur of his destiny.
Gabrielle Roy
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Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Gabrielle Roy
Creative Commons
Born:
March 22, 1909
Died:
July 13, 1983
(aged 74)
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