I've always had two principles throughout all my life in motion-pictures: never do before the camera what you would not do at home and never do at home what you would not do before the camera.
The Loved One: An Anglo-American Tragedy (1948)
I've always had two principles throughout all my life in motion-pictures: never do before the camera what you would not do at home and never do at home what you would not do before the camera.
The Loved One: An Anglo-American Tragedy (1948)