The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is laziness. It is so easy to drift and finally be tossed up on the beach, derelict.


Hundreds and Thousands: The Journals of Emily Carr (1966)


The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is...

The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is...

The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is...

The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is...