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With the success of my first story, l decided to make writing a career, though I was canny enough not to give up my job. But the job did not pay expenses and we had a recurrence of great poverty, sustained only by the thread of hope that I might make a living writing fiction. I cast about for a better job and landed one as a department manager for a business magazine. While I was working there, I wrote Tarzan of the Apes, evenings and holidays. I wrote it in longhand on the backs of old letterheads and odd pieces of paper. I did not think it was a very good story and I doubted if it would sell. But Bob Davis saw its possibilities for magazine publication and I got a check … this time, l think, for $700.
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The story of his own connection with the cabin had never been told him. The language of the apes had so few words that they could talk but little of what they had seen in the cabin, having no words to accurately describe either the strange people or their belongings, and so, long before Tarzan was old enough to understand, the subject had been forgotten by the tribe.
Only in a dim, vague way had Kala explained to him that his father had been a strange white ape, but he did not know that Kala was not his own mother.
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No amount of money today could possibly give me the thrill that first $400 check gave me.
My first story was entitled, "Dejah Thoris, Princess of Mars." Metcalf changed it to "Under the Moons of Mars." It was later published in book form as A Princess of Mars.
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I had been trying to find a publisher who would put some of my stuff into book form, but I met with no encouragement. Every well-known publisher in the United States turned down Tarzan of the Apes, including A. C. McClurg & Co., who finally issued it, my first story in book form.
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I do not say the story is true, for I did not witness the happenings which it portrays, but the fact that in the telling of it to you I have taken fictitious names for the principal characters quite sufficiently evidences the sincerity of my own belief that it may be true.
The yellow, mildewed pages of the diary of a man long dead, and the records of the Colonial Office dovetail perfectly with the narrative of my convivial host, and so I give you the story as I painstakingly pieced it out from these several various agencies.
If you do not find it credible you will at least be as one with me in acknowledging that it is unique, remarkable, and interesting.
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I had this story from one who had no business to tell it to me, or to any other. I may credit the seductive influence of an old vintage upon the narrator for the beginning of it, and my own skeptical incredulity during the days that followed for the balance of the strange tale.
Edgar Rice Burroughs
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Edgar Rice Burroughs
Creative Commons
Born:
September 1, 1875
Died:
March 19, 1950
(aged 74)
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