Dana Gioia Quotes

64 Sourced Quotes

Like gladiator games and pyramid building, opera has always been a gloriously money-losing proposition. It is the most extravagant of arts, requiring the constant support of kings, dictators, plutocrats, and town councils. Box-office success is no solution. San Francisco Opera loses money at every sold-out performance. Sane business practices simply don't suffice. Composer Richard Wagner's patron, King Ludwig II of Bavaria, was the ideal operatic angel — very rich and certifiably insane. Mel Brooks' shyster producer Max Bialystock need not have mounted Springtime for Hitler to score a surefire loss. Aida would have done just fine.

Dana Gioia
"The great and present danger to American literature is the growing homogeneity of our writers, especially the younger generation. Often raised in several places in no specific cultural or religious community, educated with no deep connection to a region, history, or tradition, and now employed mostly in academia, the American writer is becoming as standardized as the American car—functional, streamlined, and increasingly interchangeable" (27).

Dana Gioia
Poetry is the art of using words charged with their utmost meaning. A society whose intellectual leaders lose the skill to shape, appreciate, and understand the power of language will become the slaves of those who retain it — be they politicians, preachers, copywriters, or newscasters.

Dana Gioia
Being so deeply rooted in one place and culture allows a genuine writer to experiment wildly with the material without ever losing touch with its essence.

Dana Gioia
I personally regret the shift in literary study from reading primary texts to reading critical and theoretical texts. The major problem today among students is that they simply have not read enough literature. Consequently they do not have the necessary background to take a critical attitude towards literary theory. One needs to test every abstraction against experience.

Dana Gioia
Raw artistic talent is abundant. What is truly rare are the cultural circumstances, attitudes, and institutions to develop and perfect it. Few American cities have ever managed to foster a vibrant literary milieu of international significance — perhaps only Boston, New York, Chicago, and San Francisco. American literature has most often been an affair of isolated genius or small coterie.

Dana Gioia
Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper —
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.

Dana Gioia
I can't think of better ways to learn than through pleasure and curiosity. I guess the reason these two qualities play so small a role in formal education is that they are so subjective and individual. Curiosity and delight can't be institutionalized. Childhood and adolescence form our sensibilities. By the time I arrived in college, I had already developed a deep suspicion of all theories of art that did not originate in pleasure.

Dana Gioia
If Catholic Christianity does not offer a vision of existence that transcends the election cycle, if our redemption is social and our resurrection economic, then it's time render everything up to Caesar.

Dana Gioia
Two great poets are stronger than two thousand mediocrities (31).

Dana Gioia
My blessed California, you are so wise.
You render death abstract, efficient, clean.
Your afterlife is only real estate,
And in his kingdom Death must stay unseen.

Dana Gioia
Poems should be memorized, recited, and performed. The sheer joy of the art must be emphasized. The pleasure of performance is what first attracts children to poetry, the sensual excitement of speaking and hearing the words of the poem. Performance was also the teaching technique that kept poetry vital for centuries. Maybe it also holds the key to poetry's future.

Dana Gioia
Current Catholic worship often ignores the essential connection between truth and beauty, body and soul, at the center of the Catholic worldview. The Church requires that we be faithful, but must we also be deaf, dumb, and blind? I deserve to suffer for my sins, but must so much of that punishment take place in church? (30).

Dana Gioia
The music that of common speech
but slanted so that each detail
sounds unexpected as a sharp
inserted in a simple scale.

Dana Gioia
Like the intricately rational web of theology woven around the irrational mysteries of faith, the sober explanations of institutions for hoarding literary relics seem like elegant post-factum justifications for what is essentially a sense of sacred awe. An institution of learning seeks significant manuscripts because they possess qualities that scholarship cannot entirely reproduce — an authentic, holistic connection with the great writers of the past. It is not the intellectual content of the manuscript that is important but its material presence — ink spots, tobacco stains, pinworm holes, and foxing included.

Dana Gioia
I did not want my son remembered by uncontrolled howls of pain. My wife and I suffered more than I can express, but to make poems merely out of the agony would have been self-pitying and dishonest. My son had been my greatest joy. His birth had left me awe-struck and humble before life. He turned me from a son into a father — and allowed me to understand my own father clearly for the first time. If I mourned him, I also wanted to preserve the joyful mystery of his existence. The sorrow could not be adequately appreciated without also expressing the joy and wonder.

Dana Gioia
And hate the bright stillness of the noon without wind, without motion. the only other living thing a hawk, hungry for prey, suspended in the blinding, sunlit blue. And yet how gentle it seems to someone raised in a landscape short of rain- the skyline of a hill broken by no more trees than one can count, the grass, the empty sky, the wish for water.

Dana Gioia
Poets serious about making careers in institutions understand that the criteria for success are primarily quantitative. They must publish as much as possible as quickly as possible. The slow maturation of genuine creativity looks like laziness to a committee. Wallace Stevens was forty-three when his first book appeared. Robert Frost was thirty-nine. Today these sluggards would be unemployable.

Dana Gioia
"It is time to renovate and reoccupy our own tradition" (35).

Dana Gioia
"A New York leftist and an Alabama Pentecostal may not agree on much, but too often they share a dislike of Catholics" (22).

Dana Gioia