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In an age of global standardization, regional voices also remind both writer and reader that no life is lived generically. If the purpose of literature is truly, as the ancients insisted, to instruct and delight, then what better to understand and enjoy than the here and the now?
Dana Gioia
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"We lived in places that we never knew.
We could not name the birds perched on our sill,
Or see the trees we cut down for our view.
What we possessed we always chose to kill. "We claimed the earth but did not hear her claim,
And when we died, they laid us on her breast,
But she refuses us — until we earn
Forgiveness from the lives we dispossessed."
Dana Gioia
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Poetry is not a creed or dogma. It is a special way of speaking and listening.
Dana Gioia
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"Between 1945 and 1965 Catholic novelists and poets received 11 Pulitzer Prizes and 5 National Book Awards (6 NBAs if one counts O'Connor's posthumously published Complete Stories in 1972)" (18).
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"If the soul of Roman Catholicism is to be found in partisan politics, then it's probably time to shutter up the chapel" (24).
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There is a special irony that this disappearance [of Catholic artists visibility despite Catholics constituting one-quarter of the US population] has occurred during a period when celebrating cultural diversity has become an explicit goal across the American arts. Some kinds of diversity are evidently more equal than others.
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How many voices have escaped you until now,
the venting furnace, the floorboards underfoot,
the steady accusations of the clock
numbering the minutes no one will mark.
The terrible clarity this moment brings,
the useless insight, the unbroken dark.
Dana Gioia
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Being so deeply rooted in one place and culture allows a genuine writer to experiment wildly with the material without ever losing touch with its essence.
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Paradoxically, the simpler poetry is, the more difficult it becomes for a critic to discuss intelligently. Trained to explicate, the critic often loses the ability to evaluate literature outside the critical act. A work is good only in proportion to the richness and complexity of interpretations it provokes.
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Society has already told us that poetry is dead. Let's build a funeral pyre out of the desiccated conventions piled around us and watch the ancient, spangle-feathered, unkillable phoenix rise from the ashes.
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We necessarily bring the whole of our hairy and heavy humanity to worship (29).
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Poems should be memorized, recited, and performed. The sheer joy of the art must be emphasized. The pleasure of performance is what first attracts children to poetry, the sensual excitement of speaking and hearing the words of the poem. Performance was also the teaching technique that kept poetry vital for centuries. Maybe it also holds the key to poetry's future.
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The new year always brings us what we want Simply by bringing us alongto see A calendar with every day uncrossed, A field of snow without a single footprint.
Dana Gioia
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Everyone enjoys stories of double lives and secret identities. Children have Superman; intellectuals have Wallace Stevens.
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Tradition is not, as post-modernists maintain, a library or museum the artist plunders. It is the endless conversation between the living and the dead. Young artists enter into this conversation passionately — not merely intellectually, though study and analysis play a part. They live and breathe it. Tradition is not a public building. It is a love affair.
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Dante and Hopkins, Mozart and Palestrina, Michelangelo and El Greco, Bramante and Gaudi, have brought more souls to God than all the preachers of Texas (29).
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"The Catholic writer understands the necessary relationship between truth and beauty, which is not mere social convention or cultural accident but an essential form of human knowledge—intuitive, holistic, and experiential. Art is a form of knowing—distinct and legitimate—rooted in feeling and delight—that discovers, in the words of Jacques Maritain, "The splendor of the secrets of being radiating into intelligence." (34).
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And hate the bright stillness of the noon without wind, without motion. the only other living thing a hawk, hungry for prey, suspended in the blinding, sunlit blue. And yet how gentle it seems to someone raised in a landscape short of rain- the skyline of a hill broken by no more trees than one can count, the grass, the empty sky, the wish for water.
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"The Catholic writer really needs only three things to succeed: faith, hope and ingenuity" (31).
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Poets serious about making careers in institutions understand that the criteria for success are primarily quantitative. They must publish as much as possible as quickly as possible. The slow maturation of genuine creativity looks like laziness to a committee. Wallace Stevens was forty-three when his first book appeared. Robert Frost was thirty-nine. Today these sluggards would be unemployable.
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Poetry is not a branch of analytical philosophy. It is a primal, holistic kind of human communication. A poet needs innocence as much as knowledge, emotion as much as intelligence, vulnerability as much as rigor. A poet can become too smart for his or her own good and forget the childlike pleasures of sound and story, sense, and sensuality that poetry should provide. The challenge for a writer is to master the medium of poetry without losing that inner innocence.
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This is a prayer, inchoate and unfinished,
for you, my love, my loss, my lesion,
a rosary of words to count out time's
illusions, all the minutes, hours, days
the calendar compounds as if the past
existed somewhere — like an inheritance
still waiting to be claimed.
Dana Gioia
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Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses.
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Forty years ago, when Dylan Thomas read, he spent half the program reciting other poets' work. Hardly a self-effacing man, he was nevertheless humble before his art. Today most readings are celebrations less of poetry than of the author's ego. No wonder the audience for such events usually consists entirely of poets, would-be poets, and friends of the author.
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"It is time to renovate and reoccupy our own tradition" (35).
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Two great poets are stronger than two thousand mediocrities (31).
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Old empires always appeal to modern poets more than new ones.
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Most editors run poems and poetry reviews the way a prosperous Montana rancher might keep a few buffalo around — not to eat the endangered creatures but to display them for tradition's sake.
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The writer needs good works—good literary ones (33).
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To speak from a particular place and time is not provincialism but part of a writer's identity.
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Quote of the day
Wars and elections are both too big and too small to matter in the long run. The daily work—that goes on, it adds up.
Barbara Kingsolver
Dana Gioia
Creative Commons
Born:
December 24, 1950
(age 73)
Bio:
Michael Dana Gioia is an American poet and writer. Gioia also served as the Chairman of the federal arts agency the National Endowment for the Arts.
Known for:
Can poetry matter? (1992)
Interrogations at noon (2001)
Pity the Beautiful: Poems (2012)
The gods of winter (1989)
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