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Cormac McCarthy -
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Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place.
Cormac McCarthy
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The world to come must be composed of what is past. No other material is at hand.
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She came from the shower wrapped in a towel and she sat on the bed and took his hand and looked down at him. I cannot do what you ask, she said. I love you. But I cannot. He saw very clearly how all his life led only to this moment and all after led nowhere at all. He felt something cold and soulless enter him like another being and he imagined that it smiled malignly and he had no reason to believe that it would ever leave.
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Whatever voice spoke to him was no demon but some old shed self that came yet from time to time in the name of sanity, a hand to gentle him back from the rim of his disastrous wrath.
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The judge placed his hands on the ground. He looked at his inquisitor. This is my claim, he said. And yet everywhere upon it are pockets of autonomous life. Autonomous. In order for it to be mine nothing must be permitted to occur upon it save by my dispensation.
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Yet it is the narrative that is the life of the dream while the events themselves are often interchangeable. The events of the waking world on the other hand are forced upon us and the narrative is the unguessed axis along which they must be strung.
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The priest looked at him. Do I know you? he said.
Suttree placed one hand on the pew in front of him. An old woman was going along the altar rail with a dusting rag. He struggled to his feet. No, he said. You don't know me.
The priest stepped back, inspecting his clothes, his fishstained shoes.
I just fell asleep a minute. I was resting.
The priest gave a little smile, lightly touched with censure, remonstrance gentled. God's house is not exactly the place to take a nap, he said.
It's not God's house.
I beg your pardon?
It's not God's house.
Oh?
Suttree waved his hand vaguely and stepped past the priest and went down the aisle. The priest watched him. He smiled sadly, but a smile for that.
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He (Wells) closed his eyes and he turned his head and he raised one hand to fend away what could not be fended away. Chigurh shot him in the face. Everything that Wells had ever known or thought or loved drained slowly down the wall behind him. His mother's face, his First Communion, women he had known. The faces of men as they died on their knees before him. The body of a child dead in a roadside ravine in another country.
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See the hand that nursed the serpent. The fine hasped pipes of her fingerbones. The skin bewenned and speckled. The veins are milkblue and bulby. A thin gold ring set with diamonds. That raised the once child's heart of her to agonies of passion before I was. Here is the anguish of mortality. Hopes wrecked, love sundered. See the mother sorrowing. How everything that I was warned of's come to pass.
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The man sat watching the road, the weedstem twirling in his mouth and the threadthin shadow of it going long and short upon his face like a sundial's hand beneath a sun berserk.
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In the long arcade of the bus station footfalls come back like laughter. He marches darkly toward his darkly marching shape in the glass of the depot door. His fetch come up from life's other side like an autoscopic hallucination, Suttree and Antisuttree, hand reaching to the hand.
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If you could breathe a breath so strong you could blow out the wolf. Like you blow out the copo. Like you blow out the fire from the candela. The wolf is made the way the world is made. You cannot touch the world. You cannot hold it in your hand for it is made of breath only.
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The arc of circling bodies is determined by the length of their tether, said the judge. Moons, coins, men. His hands moved as if he were pulling something from one fist in a series of elongations. Watch the coin, Davey, he said.
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For me the world has always been more of a puppet show. But when one looks behind the curtain and traces the strings upward he finds they terminate in the hands of yet other puppets, themselves with their own strings which trace upward in turn, and so on. In my own life I saw these strings whose origins were endless enact the deaths of great men in violence and madness. Enact the ruin of a nation.
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And for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead.
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The judge looked about him. He was sat before the fire naked save for his breeches and his hands rested palm down upon his knees. His eyes were empty slots. None among the company harbored any notion as to what this attitude implied, yet so like an icon was he in his sitting that they grew cautious and spoke with circumspection among themselves as if they would not waken something that had better been left sleeping.
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Anything can be an instrument, Chigurh said. Small things. Things you wouldn't even notice. They pass from hand to hand. People don't pay attention. And then one day there's an accounting. And after that nothing is the same. Well, you say. It's just a coin. For instance. Nothing special there. What could that be an instrument of? You see the problem. To separate the act from the thing. As if the parts of some moment in history might be interchangeable with the parts of some other moment. How could that be? Well, it's just a coin. Yes. That's true. Is it?
Cormac McCarthy
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Cormac McCarthy
Born:
July 20, 1933
Died:
June 13, 2023
(aged 89)
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