The following week, when he passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn around, inclining his serious face with a satisfied air and I heard him say to me while smiling: "Not bad, not at all bad this, but it is too much like the real model. You have a stocky man and you depict him as stocky.... Nature, my friend, serves well as a means to study but offers no real interest. Style is the only thing that matters." I was flabbergasted. The truth, life, nature - all that provoked emotions in me - all that constituted for me the real essence and the unique "raison d'être" of art, did not exist for this man!


Claude Monet par lui-meme – interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in Le Temps newspaper, 26 November 1900. - 1900–1920


The following week, when he passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn...

The following week, when he passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn...

The following week, when he passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn...

The following week, when he passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn...