Clare Fischer - People Quotes

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Scott's playing on this particular album should disprove all the "naughty" things people said about him, about his being too active, getting in people's way; because the one thing about Scotty, with all his technique, was that he had a perceptivity, which let him use it judiciously. He started this record by playing on the first beat of every bar. He wasn't even playing in two, and any man who has that much technique, who knows where to limit himself, to me, is just great.

Clare Fischer
I'm two people. One is a teddy bear who is soft and cuddly. And the other is this guy who says, "Don't push me."

Clare Fischer
Nepotism. My brother's son, André Fischer, was the drummer in the band Rufus, with Chaka Khan. Apparently, the arrangements I made for their early records were appreciated, so in the following years I was hired almost exclusively by black artists. I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical.

Clare Fischer
You don't ever get a chance to play what you really do; and if you do, you notice that you can't play, because you haven't been. And often I'd be asked to play like somebody else, like Joe Sample. I'd say, "I can't play like him. He's an original." I'd be asked to try and the producers would love it, but I'd feel rotten. Then one time I ran into Joe and he told me, "Man, I'm tired of people asking me to play like you." My jaw dropped. Then I found out this is a common practice.

Clare Fischer
It's funny. People come to my house because I was recommended to them to do some writing. They've never heard of me, and you can see the reticence written all over their faces. Then they look at the walls and see the platinum and gold albums and they say, "Oh. That one's from Prince! That's from Robert Palmer! Oh my God, Paul McCartney!" And then they say, "You're a really fine composer"—without having heard any of my music.

Clare Fischer
Prince is intelligent. He never visits the studio when I am working for him; and I have never met him in person. He sends me memos and we talk over the phone. Once I sent him my Grammy-winning CD. I heard from people that were present at the time that while he took out the disc he looked away from the cover, saying, 'I don't want to know what he looks like. It is working just fine as it is.' Prince does not want to meet me because he knows that the minute he walks into a studio he will start interfering. It is uncommon that a person with such a strong ego realizes that I have an ego too.

Clare Fischer