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... the ultimate embodiment of Bruce Wayne. He has exactly the balance of darkness and light that we were looking for.
Christopher Nolan
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Explaining Inception's ending:
The way the end of that film worked, Leonardo DiCaprio's character, Cobb – he was off with his kids, he was in his own subjective reality. He didn't really care any more, and that makes a statement: perhaps, all levels of reality are valid.
Christopher Nolan
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I feel that, over time, we started to view reality as the poor cousin to our dreams, in a sense ... I want to make the case to you that our dreams, our virtual realities, these abstractions that we enjoy and surround ourselves with, they are subsets of reality.
Christopher Nolan
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I went to the movies a lot as a kid. That first Star Wars, that George Lucas directed, came out in 1977 when I was 7 years old. It made a huge impression on me, in terms of the scope of it and the idea that you could create an entirely different experience for the audience, literally any world, more than one world, a whole different galaxy.
Christopher Nolan
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I'd already started playing around with my dad's Super 8 camera, making little war films and stuff. And then, after Star Wars, my films all became space films. I think when I was about 12 or 13, I want to say, I started to begin to identify with the idea of the director as the sort of controlling force, or the closest analogy to what I was doing on my Super 8 camera, you know, just making images and putting them together.
Christopher Nolan
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My dad worked in advertising — he was a creative director — and my mom was an English teacher. I think they were thrilled that I was interested in doing something creative and they lent me their camera — which you know, I wound up breaking.
Christopher Nolan
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People will often ask me about taking on Batman or whatever, but the truth is that the biggest leap I ever made in my career was from Following to Memento. It was from working with friends, spending my own money, and then risking our time and effort, to spending millions of dollars of somebody else's money and having a proper crew there with trucks and trailers and all sorts of things going on.
Christopher Nolan
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As a filmmaker, you know, no matter how positive things seem, you always notice the bad reviews, you always notice that the things people love are the same things other people hate, so you can't react to that. To me, it's all about doing what you believe in.
Christopher Nolan
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I put it like this: you can't make a science-fiction film pretending that 2001 [A Space Odyssey] doesn't exist. But I think 2001's relationship with humanity is more philosophical, more abstract. I wanted to embrace the metaphysics, but relate it to something more obviously human, like love.
Christopher Nolan
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I remember the initial genesis quite clearly. My interest in dreams comes from this notion of realizing that when you dream you create the world that you are perceiving, and I thought that feedback loop was pretty amazing.
Christopher Nolan
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I've done really well so far in my career by trusting the audience to be as dissatisfied with convention as I am, as a film-goer. You want to go see a film that surprises you in some way.
Christopher Nolan
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There are points where you worry that you might be putting too much in and alienating the audience. But, funnily enough, some of those fears aren't correct.
Christopher Nolan
Quote of the day
What counts is what you do with your money, not where it came from.
Merton Miller
Christopher Nolan
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Born:
July 30, 1970
(age 54)
Bio:
Christopher Edward Nolan is an English-American film director, screenwriter, and producer. He is one of the highest-grossing directors in history, and among the most successful and acclaimed filmmakers of the 21st century.
Known for:
Interstellar (2014)
The Dark Knight (2008)
Inception (2010)
The Dark Knight Rises (2012)
Memento (2000)
Christopher Nolan on Wikipedia
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