She had the tough slangy local manner, the local obscenities, the curious American relative pronouns: what-the hell, why-the-hell, where-the-hell, who-the-hell, how-the-hell were the only ones she used.
The People With the Dogs (1952)
She had the tough slangy local manner, the local obscenities, the curious American relative pronouns: what-the hell, why-the-hell, where-the-hell, who-the-hell, how-the-hell were the only ones she used.
The People With the Dogs (1952)
