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The other, more nebulous, but very strong influence of RPGs was the weird fetish for systematization, the way everything is reduced to game stats. If you take something like Cthulhu in Lovecraft, for example, it is completely incomprehensible and beyond all human categorization. But in the game Call of Cthulhu, you see Cthulhu's strength, dexterity, and so on, carefully expressed numerically. There's something superheroically banalifying about that approach to the fantastic. On one level it misses the point entirely, but I must admit it appeals to me in its application of some weirdly misplaced rigor onto the fantastic: it's a kind of exaggeratedly precise approach to secondary world creation.
China Miéville
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I refuse to play the wink-wink-nudge-nudge game with readers. I don't like whimsy because it doesn't treat the fantastic seriously, and treating the fantastic seriously is one of the best ways of celebrating dialectical human consciousness there is. The one-sided celebration of the ego-driven contextually constrained instrumentally rational (as opposed to rational in a broader sense) is bureaucratic: the one-sided celebration of the subconscious, desire/fantasy driven is at best utopian, at worst sociopathic. The best fantasies—which include sf and horror—are constructed with a careful dialectic between conscious and subconscious.
China Miéville
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Art's something you choose to make … it's a bringing together of … of everything around you into something that makes you more human, more khepri, whatever. More of a person.
China Miéville
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Andrej's mind, like any sane human's … was a constantly convulsing dialectical unity of consciousness and subconsciousness, the battening down and channelling of dreams and desires, the recurring re-creation of the subliminal by the contradictory, the rational-capricious ego. And vice versa. The interaction of levels of consciousness into an unstable and permanently self-renewing whole.
China Miéville
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In England, the profession of the law is that which seems to hold out the strongest attraction to talent, from the circumstance, that in it ability, coupled with exertion, even though unaided by patronage, cannot fail of obtaining reward.
Charles Babbage
China Miéville
Creative Commons
Born:
September 6, 1972
(age 52)
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