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The evolution of earth-cult to sky-cult shifts woman into the nether realm. Her mysterious procreative powers and the resemblance of her rounded breasts, belly, and hips to earth's contours put her at the center of early symbolism. She was the model for the Great Mother figures who crowded the birth of religion worldwide. But the mother cults did not mean freedom for women. On the contrary […] cult objects are prisoners of their own symbolic inflation. Every totem lives in taboo.
Camille Paglia
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Patriarchy, routinely blamed for everything, produced the birth control pill, which did more to free contemporary women than feminism itself.
Camille Paglia
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My own proposals for reform [in academia] include the abolition of all literary conferences and the replacement of women's studies with sex studies, based on the rigorous study of world history, anthropology, psychology, and science. Today, in politically correct America, questions of quality, learning, and intellectual distinction are out of style.
Camille Paglia
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Women are not in control of their bodies; nature is. Ancient mythology, with its sinister archetypes of vampire and Gorgon, is more accurate than feminism about the power and terror of female sexuality.
Camille Paglia
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If you want to see what's wrong with Ivy League education, look at The Beauty Myth, that book by Naomi Wolf. This is a woman who graduated from Yale magna cum laude, is a Rhodes scholar, and she cannot write a coherent paragraph. This is a woman who cannot do historical analysis, and she is a Rhodes scholar? If you want to see the damage done to intelligent women today in the Ivy League, look at that book. It's a scandal. Naomi Wolf is an intelligent woman. She has been ill-served by her education. But if you read Lacan, this is the result. Your brain turns to pudding. She has a case to make. She cannot make it. She's full of paranoid fantasies about the world. Her education was completely removed from reality.
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Women have ironically enjoyed a greater symbolic, if not practical freedom. Thus it is that male and not female homosexuality has been harshly punished by law. A debater in Lucian declares, Far better that a women, in the madness of her lust, should usurp the nature of man, than that man's noble nature should be so degraded as to play the woman. Similarly today, lesbian interludes are a staple of heterosexual pornography. Ever since man emerged from the dominance of nature, masculinity has been the most fragile and problematic of psychic states.
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One of the most startling discoveries of my career was when I realized that the strongest women in the world are not lesbians but heterosexual women, who know how to handle men.
Camille Paglia
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Women are in league with each other, a secret conspiracy of hearts and pheromones
Camille Paglia
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In the Seventies, women runners, developing amenorrhea and calcium-related shin splints, were the first to realize that nature is hovering over us, ready to shut down our systems if our fetus-feeding fat reserve drops below a certain percentage of body weight. In other words, in nature's eyes we are nothing but milk sacs and fat deposits.
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We will never get great art from women if their education exposes them only to the second-rate and if the idea of greatness itself is denied. Greatness is not a white male trick. Every important world civilization has defined its artistic tradition in elitist terms of distinction and excellence.
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Men, gay or straight, can get beauty and lewdness into one image. Women are forever softening, censoring, politicizing.
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Wearisome as it may seem, women must realize that, in making a commitment to a man, they have merged in his unconscious with his mother and have therefore inherited the ambivalence of that relationship.
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I had crushes on women — actually I loved charismatic, extreme people, women or men. By high school I was saying I must be a lesbian, because if you are attracted to women, you're a lesbian. I was also attracted to men, but I didn't get along with men.
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I collected 599 pictures of Elizabeth Taylor — some people find that obsessive. I collected 599. Not 600, but 599. I feel that genius and obsession be the same thing. It is rare when a woman is driven by obsession. Similarly, it is rare when a woman is a genius. That's why I said one of my most notorious sentences, that there is no woman Mozart because there is no woman Jack the Ripper. Men are more prone to obsession because they are fleeing domination by women. They flee to a chess game or to a computer or to fixing a car, or whatever, to attempt to complete their identities, because they always feel incomplete.
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What feminism calls patriarchy is simply civilization, an abstract system designed by men but augmented and now co-owned by women.
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Women played no part in Athenian high culture. They could not vote, attend the theatre, or walk in the stoa talking philosophy. But the male orientation of Greek culture was inseparable of its genius. Athens became great not despite but because of its misogyny.
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In Romanticism, unlike the Renaissance, Amazons retain their power. Rousseau wants it both ways. Idolizing women is natural and right, a cosmic law. On the other hand, male recessiveness is blamed on female coercion. Either way, sadomasochistic dominance and submission are inherent in Rousseausism from the start.
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It's these guys in the Ivy League schools who get used to obeying women. They're sedentary guys. It's ironic that you're getting the biggest bitching about men from the schools where the men are just eunuchs and bookworms.
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Feminism, coveting social power, is blind to women's cosmic sexual power.
Camille Paglia
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Every fetus becomes female unless it is steeped in male hormone, produced by a signal from the testes. Before birth, therefore, a male is already beyond the female. But to be beyond is to be exiled from the center of life. Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.
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Feminism has betrayed women, alienated men and women, replaced dialogue with political correctness.
Camille Paglia
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We must take the best from the left and the best from the right to devise new strategies for the global twenty-first century. The reluctance of liberal professors to speak out against rampant abuses committed on their side (e.g., suppression of free speech, the excesses of women's studies and French theory) has simply increased the power of the right.
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Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.
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An erection is a thought and the orgasm an act of the imagination. The male has to will his sexual authority before the woman who is a shadow of his mother and of all women. Failure and humiliation constantly wait in the wings. No woman has to prove herself a woman in the grim way a man has to prove himself a man. He must perform, or the show does not go on. Social convention is irrelevant. A flop is a flop.
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In negotiating with rejected lovers or husbands, women must stop thinking they can make everyone happy. In many cases of harassment and stalking, it is clear that the woman never learned how to terminate the fantasy — which requires resolution and decisiveness on their part. Wavering, dithering, or passive hysterical fear will only intensify or prolong pursuit.
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Pornography is art, sometimes harmonious, sometimes dissonant. Its glut and glitter are a Babylonian excess. Modern middle-class women cannot bear the thought that their hard-won professional achievements can be outweighed in an instant by a young hussy flashing a little tits and ass. But the gods have given her power, and we must welcome it. Pornography forces a radical reassessment of sexual value, nature's bequest of our tarnished treasure.
Camille Paglia
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In 'A Room of One's Own', Virginia Woolf satirically describes her perplexity at the bulging card catalog of the British Museum: why, she asks, are there so many books written by men about women but none by women about men? The answer to her question is that from the beginning of time men have been struggling with the threat of woman's dominance.
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The two deepest thinkers on sex in the twentieth century are Sigmund Freud and D. H. Lawrence. Their reputations as radical liberators were so universally acknowledged that brooding images of Freud and Lawrence in poster form adorned the walls of students in the Sixties. Yet the voluminous and complex works of both men were swept away by the current women's movement, when it burst out in the late Sixties and consolidated its ideology in the Seventies. Whatever their motives, the first feminist theorists acted as vandals and Bolsheviks. The damage they did to culture has in the long run damaged the cause of feminism.
Camille Paglia
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Feminism was always wrong to pretend that women could have it all. It is not male society but mother nature who lays the heaviest burden on woman. No husband or day care can adequately substitute for a mother's attention. My feminist heroes are the boldly independent and childless Amelia Earhart and Katherine Hepburn, who has been outspoken in her opposition to the delusion of having it all.
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I want a revamped feminism. Putting the vamp back means the lady must be a tramp. My generation of Sixties rebels wanted to smash the bourgeois codes that had become the authoritarian totems of the Fifties. The 'nice' girl with her soft, sanitized speech and decorous manners had to go. Thirty years later, we're still stuck with her — in the official spokesmen and the anointed heiresses of the feminist establishment... Equal opportunity feminism, which I espouse, demands the removal of all barriers to woman's advance in the political and professional world — but not at the price of special protections for women which are infantilizing and anti-democratic.
Camille Paglia
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Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Camille Paglia
Born:
April 2, 1947
(age 77)
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