Camille Paglia - Culture Quotes

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All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!

Camille Paglia
Western culture from the start has swerved from femaleness. The last western society to worship female powers was Minoan Crete. And significantly, that fell and did not rise again.

Camille Paglia
Hollywood, America's greatest modern contribution to world culture, is a business, a religion, an art form, and a state of mind.

Camille Paglia
The women's movement is rooted in the belief that we don't even need men. All it will take is one natural disaster to prove how wrong that is. Then, the only thing holding this culture together will be masculine men of the working class. The cultural elite — women and men — will be pleading for the plumbers and the construction workers. We are such a parasitic class.

Camille Paglia
My point is that you cannot force social change at a speed that it cannot go. Social change is evolutionary, not revolutionary. Deep social change takes time. And slowly the culture is changing. The MTV generation is far more tolerant, and that tolerance is growing.

Camille Paglia
It was intended to please no one and to offend everyone. The entire process of the book was to discover the repressed elements of contemporary culture, whatever they are, and palpate them. One of the main premises was to demonstrate that pornography is everywhere in major art. Art history as written is completely sex free, repressive and puritanical. I want precision and historical knowledge, but at the same time, I try to zap it with pornographic intensity.

Camille Paglia
Women played no part in Athenian high culture. They could not vote, attend the theatre, or walk in the stoa talking philosophy. But the male orientation of Greek culture was inseparable of its genius. Athens became great not despite but because of its misogyny.

Camille Paglia
The capitalist distribution network, a complex chain of factory, transport, warehouse and retail outlet, is one of the greatest male accomplishments in the history of culture.

Camille Paglia
That nature acts differently upon the sexes is proved by the test case of modern male and female homosexuality, illustrating how the sexes function separately outside social conventions. The results, according to statistics of sexual frequency: male satyriasis and female nesting. The male homosexual has more sex than his heterosexual counterpart; the female homosexual less often than hers, a radical polarization of the sexes along a single continuum of shared sexual nonconformity. Male aggression and lust are the energizing factors in culture. They are men's tools of survival in the pagan vastness of female nature.

Camille Paglia
The book of Genesis is a male declaration of independence from the ancient mother-cults. Its challenge to nature, so sexist to modern ears, marks one of the crucial moments in western history. Mind can never be free of matter. Only by mind imagining itself free can culture advance. The mother-cults, by reconciling man to nature, entrapped him in matter. Everything great in western civilization has come from struggling against our origins. Genesis is rigid and unjust, but it gave man hope as a man. It remade the world by male dynasty, canceling the power of mothers.

Camille Paglia
Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the best American higher criticism.

Camille Paglia
Sexuality and eroticism are the intricate intersection of nature and culture. Feminists grossly oversimplify the problem of sex when they reduce it a matter of social convention: readjust society, eliminate sexual inequality, purify sex roles, and happiness and harmony will reign. Here feminism, like all liberal movements of the past two hundred years, is heir to Rousseau.

Camille Paglia
Our feminist culture at the present moment is completely dependent on capitalism. My grandmother was sill scrubbing clothes on the back porch on a washboard!

Camille Paglia
What women have to realize is their own dominance as a sex. That women's sexual powers are enormous. All cultures have seen it. Men know it. Women know it. The only people who don't know it are feminists. Desensualized, desexualized, neurotic women. I wouldn't have said this twenty years ago because I was a militant feminist myself. But as the years have gone on, I began to see more and more that the perverse, neurotic psychodramas projected by these women is coming from their own problems with sex.

Camille Paglia
Everything great in western culture has come from the quarrel with nature.

Camille Paglia
Lacan is a tyrant who must be driven from our shores. Narrowly trained English professors who know nothing of art history or popular culture think they can just wade in with Lacan and trash everything in sight.

Camille Paglia
How dare Palin not embrace abortion as the ultimate civilized ideal of modern culture? How tacky that she speaks in a vivacious regional accent indistinguishable from that of Western Canada! How risible that she graduated from the University of Idaho and not one of those plush, pampered commodes of received opinion whose graduates, in their rush to believe the worst about her, have demonstrated that, when it comes to sifting evidence, they don't know their asses from their elbows.

Camille Paglia
Sexual Personae seeks to demonstrate the unity and continuity of western culture — something that has inspired little belief since the period before World War I.

Camille Paglia
The two deepest thinkers on sex in the twentieth century are Sigmund Freud and D. H. Lawrence. Their reputations as radical liberators were so universally acknowledged that brooding images of Freud and Lawrence in poster form adorned the walls of students in the Sixties. Yet the voluminous and complex works of both men were swept away by the current women's movement, when it burst out in the late Sixties and consolidated its ideology in the Seventies. Whatever their motives, the first feminist theorists acted as vandals and Bolsheviks. The damage they did to culture has in the long run damaged the cause of feminism.

Camille Paglia
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.

Camille Paglia
Marxism is a flight from the magic of the person and the mystique of hierarchy. It distorts the character of western culture, which is based on the charismatic power of person. Marxism can work only in pre-industrial societies of homogeneous populations. Raise the standard of living, and the rainbow riot of individualism will break out. Personality and art, which Marxism fears and censors, rebound from every effort to oppress them.

Camille Paglia
Society is not the criminal but the force which keeps crime in check. When social controls weaken, man's innate cruelty bursts forth. The rapist is created not by bad social conditioning influences but by a failure of social conditioning. Feminists, seeking to drive power relations out of sex, have set themselves against nature. In western culture, there are no nonexploitative relationships. Everyone has killed in order to live. Nature's universal law of creation from destruction operates in mind as in matter. As Freud, Nietzsche's heir, asserts, identity is conflict. Each generation drives its plow over the bones of the dead.

Camille Paglia
Judeo-Christians have got to respect the pagan truth shown in the popular culture of sex and violence. It's meaningful about the elemental forces of life, the brutality of life and nature.

Camille Paglia
Most of western culture is a distortion of reality. But reality should be distorted; that is, imaginatively amended. The Buddhist acquiescence to nature is neither accurate about nature nor just to human potential.

Camille Paglia
I sometimes call my new system 'Italian pagan Catholicism,' but it could more accurately be called 'pragmatic liberalism,' with roots in Enlightenment political philosophy. It is a synthesis of the enduring dual elements in our culture, pagan and Judeo-Christian, Romantic and Classic.

Camille Paglia