Burkard Schliessmann - Music Quotes

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I myself represent the style of a Bach who was a human being with all his heights and depths, who knew life very well. My Bach is the experience of my playing the whole literature; and filling the different voices with their own life, vitality, vividness; it's the independent speaking-until-singing of the different voices; and lastly it's a balance between pianistic virtuosity and something chamber-music-like.

Burkard Schliessmann
Such abstruse ideas are totally alien to Chopin. The Romantic interweaving of music and literature that was characteristic of Schumann and Liszt was a negligible source of inspiration. Schumann dedicated Kreisleriana to Chopin, but in fact Chopin's consciousness for classical strength and form had nothing in common with the exalted, torn, eccentric and confused character of the work.

Burkard Schliessmann
The Goldberg Variations are, as explained in my booklet-text, in short, music that observes neither end nor beginning, music with neither real climax nor real resolution, music that, like Baudelaire's lovers, rests lightly on the wings of the unchecked wind. Gould is referring here to the circular design of the work, a circularity whose development is polarized, inspired, and fed by more and more new energy fields. The result is a universe that in its significance resembles the alpha and omega of music in general, music that evolves out of nothing and disappears back into nothing as if in a state in which time stands still.

Burkard Schliessmann
This is an absolute deep contrast to Chopin, who found himself favoring a classical form of musical essence. He needs to bring nothing in from outside, the music is nearly 'absolute.'

Burkard Schliessmann
Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it's the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.

Burkard Schliessmann
Ascetic rigor? This doesn't mean something like 'renounce' or even a 'lack' of something. No, it means, in philosophical manner (and especially in the historic Greek sense of 'Askesis'), a special kind of internal yearning, a special power wherein, despite all depressions, defeats, and failures you develop a new power to 'keep' to something, to create something. It's something like an obsession. Bach, Mozart, Schubert, they all (and their oeuvre) are filled from this phenomenon, and it's this spirit which keeps this music so vivid and alive – and fashioned for all times and generations.

Burkard Schliessmann