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Bridget Riley Quotes
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There was a time when meanings were focused and reality could be fixed; when that sort of belief disappeared, things became uncertain and open to interpretation.
Bridget Riley
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In my earlier paintings, I wanted the space between the picture plane and the spectator to be active.
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Focusing isn't just an optical activity; it is also a mental one.
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For me nature is not a landscape, but the dynamism of visual forces - an event rather than an appearance.
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I used to build up to sensation, accumulating tension until it released a perceptual experience
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Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
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An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict
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The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment, there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events.
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As a painter today you have to work without that essential platform. But if one does not deceive oneself and accepts this lack of certainty, other things may come into play.
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It is important that the painting can be inhabited, so that the mind's eye, or the eye's mind, can move about it credibly.
Bridget Riley
Quote of the day
Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Bridget Riley
Born:
April 24, 1931
(age 93)
Bio:
Bridget Louise Riley is an English painter who is one of the foremost exponents of Op art. She currently lives and works in London, Cornwall and the Vaucluse in France.
Known for:
Movement in Squares (1961)
Cataract 3 (1967)
Fission (1963)
Bridget Riley on Wikipedia
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